is what this artist, Sakir Gökcebag, makes:
recontextualizing everyday objects from their customary contexts through geometry, serial reproduction, deformation, and deconstruction.
«We live in a designed and thoroughly
constructed world, in which the natural has largely been superseded
by the cultural practices of man. Everything we use has been devised,
produced, and mediated through others. Today, designers are the
composers of our world. They determine how we sit, what we wear, and
what we are supposed to eat. In consequence, we have long been
deprived of our capacity for making our own decisions. In pre-modern
times, man was more autarchic in his social environment and more
concentrated on his immediate context. He lived in closer connection
to nature, from which he learned and from which he obtained the raw
materials for his existence. The end products with and from which the
individual lived were partially produced by one’s own hand. Yet,
although the whole world has virtually become a village for us, we
are no longer able to manufacture anything ourselves. Thus, we are
caught in the paradox of a theoretical omnipresence and availability
of products and their practical inaccessibility and unavailability.
Because of this dilemma, we are dependent on the manual labor of
people from countries, the geographical location of which we have
difficulty finding on the world map. Our service, recreation, and
entertainment society is amusing itself to death and in the process
is being buried under the objects of everyday life, with which we
connect the hope for meaning in the social vacuum of our existence.
Disposable society! What an ironical term, when, in fact, we identify
ourselves today more than ever through our possessions. Thus, the
questions pertaining to our identity have only short-term
significance since after all they ultimately end up in the garbage
can.»
From:On the Beauty of the Normal and the Poetry of the Everyday
(Some thoughts on the works of Sakir Gökçebag)
by Dr. Marcus Graf
(Some thoughts on the works of Sakir Gökçebag)
by Dr. Marcus Graf