27 de noviembre de 2014
21 de noviembre de 2014
a day in UK airspace
UK 24 – your guided tour to some of what makes UK aviation work.
created by NATS
Find out more on our blog at: http://nats.aero/blog/2014/11/take-guided-tour-uk-skies/
Find out more on our blog at: http://nats.aero/blog/2014/11/take-guided-tour-uk-skies/
20 de noviembre de 2014
hello world :)
by Sidekick (composed by Rafael Mathé and Etienne Larragueta)
Directed by Rafael Mathé and Etienne Larragueta
2013
FESTIVAL SELECTIONS
Split Film Festival, 27th EMAF European media and art Festival, 24fps International Short Film Festival, FERATUM Festival Internacional De Cine Fantstico, Terror y SCI-FI, The Philip K. Dick European Science Fiction Film festival.
OTHERS SCREANING
Cinémathèque Française in Paris, La Femis's thesis films.
Press:
The short of the week:
http://www.shortoftheweek.com/2014/10/09/hello-world/
Les Inrocks:
http://www.lesinrocks.com/lesinrockslab/news/2014/10/huit-films-femis-voir-en-ligne/
Directed by Rafael Mathé and Etienne Larragueta
2013
In a close future, a private company developed a technology aimed at boosting our brain capacity. But it requires from its clients to store their memory data on one single server. In this highly controlled world, a young woman has the power to change things.
Split Film Festival, 27th EMAF European media and art Festival, 24fps International Short Film Festival, FERATUM Festival Internacional De Cine Fantstico, Terror y SCI-FI, The Philip K. Dick European Science Fiction Film festival.
OTHERS SCREANING
Cinémathèque Française in Paris, La Femis's thesis films.
Press:
The short of the week:
http://www.shortoftheweek.com/2014/10/09/hello-world/
Les Inrocks:
http://www.lesinrocks.com/lesinrockslab/news/2014/10/huit-films-femis-voir-en-ligne/
17 de noviembre de 2014
la experiencia frente a la memoria...
Daniel Kahneman
"We don’t choose between experiences, we choose between memories of experiences. Even when we think about the future, we don’t think of our future normally as experiences. We think of our future as anticipated memories."
15 de noviembre de 2014
Embestidos por la Armada
15 Noviembre 2014:
«Ha
sido un momento de gran tensión. La protesta pacífica
de Greenpeace contra
el buque perforador de Repsol frente a Fuerteventura y Lanzarote
concluía súbitamente. Una
activista había sido arrollada por una lancha de la Armada y había
caído al agua,
sufriendo fracturas y heridas de hélice del bote militar. Otro
activista sufría contusiones menores. Y nuestras
dos lanchas quedaban inutilizadas.»
«La
embestida ha puesto el punto final a más de un día protegiendo la
zona donde el Gobierno español ha permitido a Repsol buscar petróleo
frente a las costas de Lanzarote y Fuerteventura. Con dos
activistas heridos y dos lanchas inservibles tras la embestida de la
Armada, el Arctic Sunrise pone rumbo a puerto, donde se unirá a
todos los apoyos en tierra y continuará
incansable su denuncia y oposición a las prospecciones de Repsol.
FUENTE: Greenpeace
14 de noviembre de 2014
performance Art...
by Alexander Calder
Calder Circus 1926-1931
Calder Circus 1926-1931
Soon
after moving to Paris in 1926, Calder created his Cirque Calder.
Made of wire and a spectrum of found materials, the Cirque was
a work of performance art that gained Calder an introduction to the
Parisian avant-garde. Calder continued to explore his invention of
wire sculpture, whereby he “drew” with wire in three dimensions
the portraits of friends, animals, circus themes, and personalities
of the day. In 1928, he was given his first solo exhibition of these
sculptures at the Weyhe Gallery in New York.
13 de noviembre de 2014
Geometría Radical en Caracas...
por Luis Molina Pantin
«Sin
título -Geometría radical en Caracas (2013)
es una visión irónica en serie inspirada en el Arte
Povera que
surge de lo que para mí más se identifica con la Geometría
Radical. Durante los últimos 15 meses logré documentar una gran
cantidad de colchones citadinos, gracias a la buena resolución de
las cámaras de los teléfonos celulares; lo que me permitió volver
a la tradición del foto-periodista, cuando todo el día andaba
cámara en mano coleccionando imágenes.
A
veces cuesta describir el proceso o por qué te llama la atención
fotografiar algo. Así me pasó con los colchones. Durante la
búsqueda, fue una extraña atracción; el acto de dejarlos en la
basura los convierte en unos diarios íntimos abandonados y su limpia
forma geométrica automáticamente hace el resto del trabajo.» LMP
12 de noviembre de 2014
Vermödalen...
The fear that everything has already been done...
by John Koenig, from his Dictionary of Obscure Sorrows: For lack of a better word a compendium of made-up words. Each original definition aims to fill a hole in the language, to give a name to an emotion we all feel but don’t have a word for.
vemödalen
- n. the frustration of photographing something amazing when
thousands of identical photos already exist--the same sunset, the
same waterfall, the same curve of a hip, the same closeup of an
eye--which can turn a unique subject into something hollow and pulpy
and cheap, like a mass-produced piece of furniture you happen to have
assembled yourself.
ETYMOLOGYFrom Swedish vemod, "tender sadness, pensive melancholy" + Vemdalen, the name of a Swedish town (which is IKEA's product naming convention). The umlaut isn't proper Swedish, but I liked the idea of a little astonished face (ö) sitting in the middle of the word. And also, c'mon, you can't have an IKEA metaphør without some sort of diåcritïc.
TRANSCRIPT
"You
are unique. And there are seven billion others, just as unique as
you. Each of us is different, with some new angle on the world. But
what does it mean if the lives we're busy shaping by hand, all end up
looking the same-easily replaced by a thousand identical others?
Vemödalen
So we all spread out, looking for scraps of frontier, trying to capture something special, something personal. As if we're afraid of being captured ourselves-so quickly pegged for exactly what we are-so easily mistaken for someone ordinary, just like everyone else.
It should be a comfort that we're not so different, that our perspectives so neatly align, that these same images keep showing up, again and again.
It's alright if we tell the same jokes we've all heard before, it's alright if we keep remaking the same movies. it's alright if we keep saying the same phrases to each other, as if they had never been said before.
"The powerful play goes on, and you will contribute a verse." And you and I and seven billion others will leave our mark on this world we've inherited. But if, in the end, we find ourselves with nothing left to say, nothing new to add, idly tracing outlines left by others long ago, it will be as if we weren't here at all.
This too has been said many times before. The powerful play goes on. And when you get your cue, you say your line.
3 de noviembre de 2014
SOFT CITY
Pushwagner 's 1970's graphic novel
The turbulent artist's life was documented in 2011... this is the trailer:
The artist's magnum opus started life as a dystopian graphic novel in the 1970s, before disappearing for decades. It has only recently been rediscovered.
The turbulent artist's life was documented in 2011... this is the trailer: